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作 者:冉耀斌[1]
出 处:《西北师大学报(社会科学版)》2013年第6期40-45,共6页Journal of Northwest Normal University(Social Sciences)
基 金:教育部人文社会科学研究青年基金项目"清代三秦诗派及秦陇文化研究"(10YJC751065);2011年西北师范大学青年教师科研能力提升计划项目"清代秦;陇文学及文化研究"(SKQNYB11001)
摘 要:清代中期诗坛创作虽然极其兴盛,但是由于清廷文网甚密,诗人大多不敢直面社会现实,诗歌创作多流于肤廓。关中诗人屈复高标独出,他不是遗民,却具有深切的遗民情怀,倡导诗歌要有"寄托"。屈复不但严肃批判了康雍乾时期流行的诗学流派"神韵派"、"格调派"、"性灵派"等所流露的形式主义诗风,而且对清代中期堕落的士风和深刻的社会矛盾均有认真的思考和勇敢的揭露,在雍乾诗坛独树一帜,值得学界重视。In the mid-Qing Dynasty, although the poetry creation were extremely prosperous, many poets were popul who advocated empty and did ar poetry style "Shenyun", "Gediao", "Xingling", can't face the social reality, and their poems not reflect the reality. However, poet Qu Fu not only seriously criticized the then Qing became the unique figure in the Dynasty, but also profound reflected its social contradictions. Thus, he poetic world in the mid-Qing Dynasty.
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