从尼姑、道姑到外道内尼——明清戏曲陈妙常形象探析  

From Buddhist Nun,Taoist Nun to Buddhist Nun with the Image of a Taoist——on the image of Chen Miaochang in the Ming and Qing Dynasty traditional Chinese opera

作　　者：张晓燕[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《长沙理工大学学报（社会科学版）》2013年第6期119-122,共4页Journal of Changsha University of Science and Technology：Social Science

摘　　要：陈妙常是明清戏曲中一个重要的女性形象,该形象源于宋女贞观尼陈妙常,在明清戏曲作品中,陈妙常有尼姑、道姑、外道内尼三种形象,各有特色。这种形象的变化,反映了明清观众的审美心理。Chen Miaochang is an important woman image of the Ming and Qing traditional Chinese opera, which originated from the virgin nun of the Song Dynasty. In the Ming and Qing traditional opera, Chen Miaochang took the images of Buddhist nun, Taoist nun, and Buddhist nun with the image of a Taoist with a variety feature of each. Such changes of the imagery reflected the aesthetic appreciation of the audience in the Ming and Qing Dynasties.

关 键 词：陈妙常 尼姑 道姑 外道内尼 观众审美 

分 类 号：I207.3[文学—中国文学]