中国近现代散文精神之嬗变  

On Evolution of Modern Chinese Prose Spirit

作　　者：萧晓阳[1] 向永红[2] 

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074 [2]中南民族大学图书馆,湖北武汉430074

出　　处：《衡阳师范学院学报》2013年第5期60-65,共6页Journal of Hengyang Normal University

基　　金：国家社会科学基金项目"现代性视阈中的近代桐城派诗文研究"(09BZW044)

摘　　要：中国近代散文在向现代演进的过程中呈现出了明显的阶段性特征:桐城古文在由雅言向俗语的转变中,道德法则被逻辑顺序所取代;在逻辑文中,古文逐渐被俗语取代,欧化的古文渐趋通俗化;当白话成为新的主流书写范式时,带有古意的俗语逐渐退出文坛,摹写现象的逻辑文逐渐向营造意境的散文演进。近现代散文中道德法则的衰微、逻辑政论的兴起与艺术意境的呈现,标志着中国古典散文的终结与现代散文的兴起。Modern Chinese prose has obvious stage features in the process of modernization. The moral rule was replaced by the logic order when the ancient Tongcheng prose changed from decent characters to popular language. In the logic text, the ancient prose was gradually replaced by colloquialism and ancient European prose was gradually popularization. When the ver- nacular became the new main stream of writing paradigm, the colloquialism with ancient meaning gradually disappeared from the literary world. The depict phenomenon of the logic text was gradually evolved to artistic conception of prose. The decline of the moral rule, the rise of the political prose and the demonstration of the artistic conception marked the ending of the ancient Chinese prose and rising of the modern prose.

关 键 词：义法 逻辑 意境 

分 类 号：I207.65[文学—中国文学]