生态女性主义视角下的《阿凡达》  

Decoding Avatar from the Perspective of Ecofeminism

作　　者：刘芬芬[1] 王帅[1] 

机构地区：[1]曲阜师范大学东方语言与翻译学院

出　　处：《多元文化与多种视点的交汇》2013年第1期268-272,共5页

摘　　要：科幻电影《阿凡达》演绎了一场物欲膨胀的人类与潘多拉星球纳美人之间的战争，影片中所呈现出的潘多拉星球美轮美奂的生态环境，立刻让人不自觉地与当前人类恶劣的生态环境相对比，为地球上的人类敲响了生态危机的警钟。潘多拉星球有多姿多彩的生物种群，纳美人与其他生物是地位相当的平等关系，并尊重自然、爱护自然、依赖自然，把自己定义为自然界的一部分，死后将回归自然，这些都凸显了生态女性主义的思想。科技不仅带给我们丰硕的物质成果，还有武器、屠杀和战争。本文不仅分析了纳美人的自然观、科技与自然的关系，还分析了女科学家和三位地球男性对待自然的不同态度，也决定了他们对待纳美人的不同立场。影片中地球人对潘多拉星球的恣意破坏，也反映出人类占有自然的粗暴方式，警示我们不能以牺牲生态环境换取科学的进步和人类的发展。The science fiction film Avatar presents a war between human beings of material expansion and Na＇ vi on Pandora. The perfect ecological environment of Pandora in the film immediately and unconsciously makes people contrast it with the current adverse environment on the earth, sounding the alarm of ecological crisis for human beings. There are all kinds of biological species on Pandora. Na＇ vi and other species share equal status, and Na＇ vi respect nature, love nature and depend on nature. They define themselves as parts of nature, returning to nature after death. All of this shows ecofeminist thoughts. Technology gives us rich material results, as well as weapons, slaughter and war. This paper not only analyzes Na＇ vi＇ s view of nature, the relationship between technology and nature, but also analyzes the different attitudes towards nature of a woman scientist and three Earth men,which determines the way they treat Na＇ vi. The wanton destruction towards Pandora in the film reflects the crude way human beings occupy nature, which warns us that we cannot achieve scientific progress and human development at the expense of ecological environment.

关 键 词：《阿凡达》 生态女性主义 自然 科技 

分 类 号：G456[文化科学—教育学]