重“道”而兼顾“文”:朱熹美学的整体视阈  

Morality-oriented and Diction-balanced:An Overall View on Zhu Xi's Aesthetic Idea

作　　者：祁志祥[1] 

机构地区：[1]上海政法学院国学研究所,上海201701

出　　处：《吉首大学学报（社会科学版）》2013年第6期8-13,共6页Journal of Jishou University(Social Sciences)

基　　金：国家社会科学基金项目(05BZW010)

摘　　要：朱熹是宋代理学的集大成者,不仅在中国思想史上具有重要地位,而且在文艺美学领域也影响巨大。朱熹的美学思想以"道"为根本,反对"文"的独立地位,不过他并未彻底否定文辞的形式美,而是在坚持道德美的前提下,对诗的赋比兴创作方法和审美方法做了有益的探讨,体现了比较圆通全面的美学视阈。Zhu Xi is a great scholar of Neo-Confucianism in the Song Dynasty,who plays an important role both in Chinese ideological history and aesthetics of literature and art. His aesthetic idea is strongly based on morality, denying the independent status of literature. However, he does not completely deny the form beauty of diction. Emphasizing the beauty of morality,he explores into Fu,Bi,and Xing （techniques of poetic expression） and the aesthetic approaches, reflecting a kind of flexible aesthetic idea.

关 键 词：道 文 朱熹 美学 

分 类 号：B244.7[哲学宗教—中国哲学] B83