“技中见道”抑或“遗技合道”?——庄子技艺美学思想辨识之一  

The Dao Shown in Skills or Integrated into Skills: An Examination of Zhuangzi's Aesthetics on Skills

作　　者：陈火青[1] 

机构地区：[1]贵州师范学院文学院

出　　处：《文艺理论研究》2013年第6期102-110,共9页Theoretical Studies in Literature and Art

基　　金：贵州省教育厅高校人文社科规划项目;贵州师范学院社会科学研究基金项目(12BS012)阶段性研究成果

摘　　要：关于庄子技艺故事中道与技的关系,流行的看法是"技中见道",其实,"技中见道"并非庄子本身固有的思想,而是后世艺术家或理论家立基于艺术与审美的实际从其思想转化出来的一种理论,也可以说是儒道会归的结果。"技外见道"的心斋、坐忘体验既非艺术精神,也非审美精神,而是道德精神。庄子追求一种大巧神技,反对现世的技艺。从技艺出发见道的过程,恰好是"遗技合道"的过程。In Zhuangzi＇ s relationship between Dao and skill, the prevailing understanding is that Dao can be shown in skills. This understanding, the paper argues, may not be internal to Zhuangzi＇ s thought but derivative from later theorists and scholars on the basis of their understanding of artistic and aesthetic practice. The later theorizatior, may also result from the integration of Confucian and Daoist thoughts. The within -heart epiphany and the experience of ＂sitting and forgetting＂ do not correspond to the spirit of arts or aesthetics but to the spirit of morality. The pursuit of the fantastic skills instead of the practical skills in Zhuangzi＇ s thought is a way to approach the Dao starting from skills and ending in integrating skills into the Dao.

关 键 词：技中见道 技外见道 遗技合道 审美精神 

分 类 号：B223.5[哲学宗教—中国哲学]