文学史写作与文学史观的互动共生  

Coexistence and Interaction of the Compilation and Concept of Literature History

作　　者：刘忠[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《中州大学学报》2013年第5期1-9,共9页Journal of Zhongzhou University

基　　金：国家社科基金项目(11BZW101);上海市教委曙光计划项目(10SG43);上海高校一流学科(B)建设计划项目(12sg12)

摘　　要：在时间的流光中,文学史的影子越拉越长,文学史观念在变,文学史叙述随之而变;从进化论到革命论到启蒙论再到现代性,文学史观一直在非此即彼、解构建构的二元思维中腾挪闪跃,文学史面孔如同川剧中的变脸,变化万端,抽取、扭曲、遮蔽现象在所难免。当下,经历过一段时期的疯狂生长之后,文学史写作步入到一个常态的缓慢生长期。摒弃过去的同一性知识结构,在多元的差异化言说中,文学史叙述不断开辟新的话语范式,与创作形成良性互动。With the passage of time and change of concept, the narration and interpretation of literature history has been transforming under the influence of theory of evolution, revolution, enlightenment and modernism. The ei- ther - or dualism regarding to the concept of literature history has always been changing in either constructive or destructive way. The never - once - repeating interpretation of literature history means nothing but the inevitable twisting, extracting and shadowing of the historical events. At present, the compilation of literature history, abandoning the out - of - date identical knowledge structure and opening new form of literature history writing in a multi - possible and different way, is no longer over- growing but developing in a stable and healthy way and interacting with literature creation positively.

关 键 词：中国现当代文学史 文学史观 进化论 革命论 启蒙论 现代性 互动共生 

分 类 号：I206[文学—中国文学]