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作 者:李春强[1]
出 处:《南京师范大学文学院学报》2013年第4期38-40,共3页Journal of School of Chinese Language and Culture Nanjing Normal University
摘 要:"小说家红学"构成了明清小说研究领域的一大奇观。就学术品格和操作程式而言,"小说家红学"以其艺术创作经验与敏锐的审美来把握参悟、阐释《红楼梦》;其研究特征表现在抓住小说人物形象这一中心要素,关注小说的艺术虚构这一本质手段,不忘回归创作的研红根本旨趣。但识小辨微的方式使他们的研究观点相对零散、没有形成系统。The "novelist study on A Dream in Red Mansions" consists a marvelous spectacle in the study of novels of the Ming and Qing Dynasties. In terms of academic character and operation pattern, this kind of study comprehends and explains A Dream in Red Mansion from the perspective of art creation experience and exquisite aesthetics. It features with focusing on the center factor of figures, paying attention to the essential method of fiction art, and never forgets the fundamental goal of creation study. However, its trivial and frivo- lous way makes their study fragmented without systematic integrity.
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