《沧浪诗话》与江西诗学  

“Canglang Poetry” and Jiangxi Poetics

作　　者：吴晟[1] 

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《广州大学学报（社会科学版）》2013年第11期59-64,共6页Journal of Guangzhou University:Social Science Edition

基　　金：广东省哲学社会科学"十一五"规划项目(08J-08)

摘　　要：文章就《沧浪诗话》与江西诗学相关的理论与批评作一比对,认为严羽不少诗学思想来自江西诗学,尤其是黄庭坚的诗学思想,诸如师法前人"立志须高"、"参""悟"之法、"别趣"之说、"收拾贵在出场"等。"别材"与用字拘来历,针对江西"以才学为诗"而发则切中江西诗学病痛,但未能考虑特定的政治背景。批评宋诗"尚理而病于意兴",实则宋诗尚理而趣在其中。反对宋人和韵酬唱,本自朱熹,当辨证分析。This article compares the ＂Canglang poetry＂ with the correlative theory and criticism of Jiangxi poetics, which thinks many poetic thoughts of Yan Yu are derived from Jiangxi poetics, especially from the Hung Ting Jian＇s poetics, such as the ideas of ＂the strong ambition＂, ＂penetration＂, ＂understanding＂ imitated from the pre- decessors. ＂Special materials＂ and us of words should indicate their origin. As to ＂taking the scholarship as the po- em＂ of Jiangxi school, though it touches the pain of Jiangxi poetics, it fails to take the specific political background into consideration. Criticizing the Song poems is ＂reasonable but wrong with the enthusiasm＂. But in fact there is still reason and interest in the poems. It was Zhu Xi who started to oppose the Song people singing with the rhyme. So it should be analyzed dialectically.

关 键 词：沧浪诗话 江西诗学 参悟 别材别趣 理趣 和韵 

分 类 号：I207.209[文学—中国文学]