《拯救溺水鱼》的空间重构  

On Spatial Reconstruction of Saving Fish from Drowning

作　　者：任伟利[1] 董艳[1] 

机构地区：[1]太原科技大学外国语学院,太原030024

出　　处：《合肥工业大学学报（社会科学版）》2013年第6期83-86,共4页Journal of Hefei University of Technology(Social Sciences)

基　　金：太原科技大学教学研究与改革项目(201231);山西省高等学校哲学社会科学研究项目(2012034)

摘　　要：谭恩美的小说《拯救溺水鱼》是一部另类作品,将作品纳入到布里尔·佐伦的空间叙事框架的考量中,是一种新的探索与尝试。谭恩美以独到的笔法建构出作品的地志空间、时空体空间、文本空间:空间旅行的表层环形结构与内嵌的标志性"亚空间"单位构建多层次空间图像,实现主题观照;"幽灵"叙事,虚实辗转,营构时空体;文本设置中的情节并置、闪回、碎片独白打破时序园囿,突破读者感知限制,创设文本重构空间。这些特点充分展示了作者的空间书写策略,体现了谭恩美对传统写作的超越与独特的文学追求。Saving Fish from Drowning of Amy Tan is downplayed for its being alternative. It is tenta- tive to employ Gabriel Zoran＇s spatial narrative theory to cultivate the work from the perspectives of topographical space, chronotopic space and textual space, the cycling spatial structure and the inserted significant physical spots maintain the spatial image and highlight the thematic concern; the temporal and spatial perception is projected by the spectral narration with the entanglement of reality and illu- sion; the juxtaposition, retrospection and fragmented monologue break the linear narrating conven- tions and extend the readers＇ perceptions to reconstruct the textual space. It is concluded that the spa- tial narration is an essential strategy undertaken by Amy Tan to realize her surpassing of tradition and literature ideal.

关 键 词：《拯救溺水鱼》 空间叙事 地志空间 时空体空间 文本空间 

分 类 号：I106.4[文学—世界文学]