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机构地区:[1]湖南师范大学文学院 [2]温州大学文学院
出 处:《湖南师范大学社会科学学报》2014年第1期99-105,共7页Journal of Social Science of Hunan Normal University
摘 要:审美感性与审美理性是美学领域辩证关联的核心范畴。经由主体的意向性审美活动,自然感性转化为审美感性,审美感性具体表现为形式感性和象征感性两种形态。形式感性是对自然感性的秩序化,象征感性是主体在感性事物与非感性事物相遇中的意义重构。与此相关,建立在审美感性基础上的审美理性,是包容隐匿想象功能和自由价值的理性形式,也是能够诉诸直观的理性。审美理性执著于审美活动之中的意义追问,表征着生命存在的诗性智慧。所以,无论是一般的审美活动还是艺术活动,都不同程度地衍射着审美感性和审美理性的灿烂之光。In the field of aesthetics, aesthetic sensibility and aesthetic rationality are two associated core concepts. Through intentional aesthetic activities, natural sensibility is turned into aesthetic sensiblity, which is manifested in formal sensibility and symbolic sensibility. Aesthetic rationality is based on aesthetic sensibility. It is the form of reationality which includes and eludes imaginative function and value of freedom and appeals to intution. Aesthetic rationality focuses on the meaningfulness of aesthetic activities and represents the poetic wisdom of being. Therefore, both aesthitic and artistic activities reflects the brilliance of easthetic sensibility and aesthetic rationality.
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