被规驯与自我规驯——中国文学场域中的妻性表征及其阙如  

Wifehood in Chinese Literature

作　　者：汪贻菡[1] 石梅芳[2] 

机构地区：[1]天津师范大学津沽学院文学系,天津300381 [2]河北工业大学外国语学院,天津300387

出　　处：《山西师大学报（社会科学版）》2014年第1期132-137,共6页Journal of Shanxi Normal University(Social Science Edition)

摘　　要：作为女人天性重要的一部分,妻性常被作为分析女子形象的关键词,然妻性概念本身却未得到充分探讨。文章以烈女和娼妇形象为切入点,以古典文学经典文本为对象,梳理中国文学场域中的妻性特征及其阙如。其中"烈女"是对女子灵魂和肉体忠贞的道德化规驯,"娼妇"则以对性职业的蔑称掩盖了男权对妻性中应有的恋人性的彻底扼杀。妒妇和出轨者便是对妻性的这两层缺失的精神与肉体补偿,可惜明明是对男权文化的背叛,却最终以女子同性间的浩大斗争巩固了男权,从而实现了自我规驯。As an important nature of a woman, wifehood is often used to analyze female images. However, wifehood concept itself has not been fully explored. We will start from two extreme female images, Paragons and dissolute women, who would profoundly reveal the character and missing of Chinese wives＇ wifehood. Wives were often tamed to be loyal to their husbands in both soul and body, with which no-soul is ultimate expression. Be- sides, love is stifled in the relationship between wives and their husbands; otherwise they will be named whore. In order to compensate, jealousy and cheating are two channels for wives to fulfill their natural desire. However, these feminist struggles finally move into homosexual fighting. On this basis, the male finally achieve self-disciplined fe- males

关 键 词：妻性 规驯 恋人性 嫉妒 出轨 

分 类 号：I209[文学—中国文学]