论汉代赋论“美颂”精神之缺失  

Deficiency of Eulogizing Beauty Spirit of Fu Theories in Han Dyansty

作　　者：于浴贤[1] 

机构地区：[1]泉州师范学院文学与传播学院,福建泉州362000

出　　处：《辽东学院学报（社会科学版）》2014年第1期38-44,共7页Journal of Liaodong University：Social Science Edition

摘　　要：汉大赋的创作,表现为以颂扬为主旨而不忘讽谕的内容特点,服膺于"美刺"两端的诗教精神。然而,汉代赋论却无视其颂美的内容及意义,直以"虚辞滥说"加"讽谕"的批评模式,对其多有微词,多加贬斥,表现出"美颂"精神的缺失。赋论的此种现象缘于赋作家、读者及批评家三者活动目的、意义的错位。这种错位造成了汉代赋学批评始终争论不休,而汉赋否定论长期占有相当市场,并使大赋创作始终顶着巨大压力负重前行。The purport of Da Fu works in the Han dynasty is to eulogize beauty while to satire , but in Fu theo-ries at that time , the content and significance of eulogizing beauty were neglected and much criticism was proposed . The reasons for this phenomenon come from the dislocation of the goal and sense of the writers , readers and review-ers.Consequently , there is continuous debate in the Fu criticism of the Han dynasty .With the dominant position of the negativism for Han Fu, the creation of Fu in the Han dynasty proceeded with tremendous pressure .

关 键 词：汉大赋 赋论 诗教观 美颂与讽谕 偏移与缺失 

分 类 号：I222.4[文学—中国文学]