类比诗性思维与中国现代神话诗歌的兴起——以“启蒙”为中心考察  

Analogical Poetic Thinking and the Rise of Modern Chinese Mythological Poetry——With “Enlightenment” as the Center of Investigation

作　　者：刘长华[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙40081

出　　处：《湖南工业大学学报（社会科学版）》2014年第1期121-126,共6页Journal of Hunan University of Technology(Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目"民族神话;传说意象与中国新诗民族性的建构之研究"(11YJC751047);湖南省哲学社会科学基金项目"民族神话;传说对中国新诗民族性的影响研究"(2010YB244)

摘　　要：中国现代神话诗歌的兴起,除了源于对神话学理论的译介和传统诗学用典意识的积淀等之外,"启蒙"使命更是关键因素。促成这两者联姻最重要的契机就是类比诗性思维,这表现在新诗作者自觉与不自觉地运用民族神话、传说意象或内质来类比中国现代"启蒙"文化,而类比思维恰恰又是中国神话的鲜明精神结构和国人的思维个性、文化特征。About the rise of modern Chinese mythological poetry,in addition to originating from the accretion of translating mythological theories and the consciousness of using allusions in traditional poetics,the mission of en-lightenment is a key factor.Analogical poetic thinking is the most important juncture that contributes to the mar-riage of these two aspects.This is reflected in the fact that authors of new-style poetry consciously or uncon-sciously make use of national myths,legendary imagery or essence as an analogy to modern Chinese Enlightenment culture.And analogical thinking is indeed the distinctive spiritual structure of Chinese mythology and the individ-ual thinking feature,cultural characteristics of Chinese people.

关 键 词：类比思维 神话诗歌 民族神话 启蒙文化 

分 类 号：I207.25[文学—中国文学]