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作 者:赫云[1]
出 处:《山西大同大学学报(社会科学版)》2014年第1期8-11,23,共5页Journal of Shanxi Datong University(Social Science Edition)
基 金:2009年度国家社会科学基金艺术学项目"比较艺术学体系研究"阶段成果(09BA011)
摘 要:艺术是文化的反映及其组成部分。中国当代艺术是对当下社会文化、政治等问题的思考、追问和个人生存经验的结果,更是中国文化的当下诉求。然而中国当代艺术是在西方现代艺术与后现代艺术的语境中产生的,或多或少受西方当代思潮的影响。而在能指的表现和所指的表达中,文化形象是现代美学结构中一个突出而敏感的现实问题。审美、非审美、泛审美和审丑,都成为文化形象由内向外的投射。这不仅是艺术问题,更是文化问题——形象学的问题。形象学跳出了艺术形象范畴,它直接指涉一个民族或国家的文化形象,因此形象学是与他者关系中进行比较的结果,是一个民族或国家文化的输出和跨文化视域影响的结果。Art is a reflection of culture and its components. China contemporary art is the questioning of current social culture, political issues and so on, and results of individual life experience also the demand Chinese culture. However China's contemporary art is produced in the context of modern western art and modern art in the later, more or less influenced by the western modern thoughts, resulting in the expression of the signifier and signified expression, cultural image is a realistic problem in the structure of modern aesthetics is a prominent and sensitive. Aesthetic, non aesthetic, the ugly, have become the cultural image. This is not only an art, but a cultural problem--image problem. The image out of the artistic image category, which directly refers to cultural image of a nation or a country, so the image is compared with the other, on the output of a national culture and cross-cultural perspective.
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