略论蒙古人对清朝宫廷藏传佛教造像艺术的影响  

A Brief Study on Mongolian People's Impact on the Art of Tibetan-Buddhist Statues at Qing Royal Court

作　　者：乌日切夫[1] 

机构地区：[1]内蒙古师范大学雕塑研究院,内蒙古呼和浩特011517

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2014年第1期159-164,170,共7页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

摘　　要：自从科尔沁蒙古女子嫁入满清皇朝以来,蒙古人对清廷藏传佛教造像艺术的发展繁荣发作了重要作用,特别是孝庄妃、一世哲布尊丹巴、工布查布等蒙古上层人士以及画佛像的蒙古喇嘛们的影响更为深刻而久远,终将清朝宫廷佛教艺术推向历史高度。Since Khorchin females married Manchu royal members ,Mongolian people ,especially no-bles or Mongolian lama Buddhist painters like Xiaozhuang Princess ,Jebtsudamba I and Gongbuchabu ,had played a very important role in the development and flourishing of the art of Tibetan-Buddhist statues at Qing royal court .Lama painters＆#39;impact were even greater and they finally brought Buddhist art to the peak in Qing history .

关 键 词：蒙古人 清廷 藏传佛教 造像艺术 影响 

分 类 号：K249[历史地理—历史学]