胡风与茅盾的人格特征——从《七月》与《文艺阵地》的办刊角度进行梳理  

Discussion on the Different Characters of Hu Feng and Mao Dun: Combed Based on July and Position of Literature and Art

作　　者：张玲丽[1] 

机构地区：[1]湖北中医药大学人文学院,湖北武汉430065

出　　处：《宜宾学院学报》2014年第3期24-28,共5页Journal of Yibin University

基　　金：湖北省教育厅人文社会科学研究项目(2010b190)

摘　　要：在抗日战争时期,胡风和茅盾分别以其独特的文学理论思想引领了《七月》与《文艺阵地》。这两本杂志不仅可以作为梳理这两位大家文学理论脉络的媒介,同时也能清晰地探寻与勾画出他们伴随刊物发展进程始终对比鲜明的个性特征。是否合办两份刊物的问题、两本杂志的不同定位、作家群的年龄结构界定以及在对各自刊物的取舍的态度方面,分别显示出他们天壤之别的性格差异。During the period of the Anti-Japanese War, Hu Feng and Mao Dun established and guided July and Posi- tion of Literature and Art respectively. These two periodicals not only are the media for carding literature theories of these two literature authorities, but also help clearly explore and sketch their unique characters accompaning the devel- opment process of the periodicals. Their enormous character differences found expression in their different attitudes to- wards whether to incorperate these two periodicals or not, the different positioning, definition of age structure of writ- ers, and selection preference of the two periodicals.

关 键 词：《七月》 《文艺阵地》 中年文化 青年文化 

分 类 号：I206.6[文学—中国文学]