避世与担当:艾丽斯·门罗的后女性无意识叙事  

Running away and Taking on: Alice Munro's Post Feminism and Unconscious Narrative

作　　者：姜深洁[1] 方华文[2] 

机构地区：[1]苏州大学比较文学研究中心,江苏苏州215123 [2]苏州大学外国语学院,江苏苏州215123

出　　处：《池州学院学报》2014年第2期7-10,共4页Journal of Chizhou University

基　　金：国家社科基金重点项目(12AZD090);教育部人文社会科学研究规划基金项目(12YJA751011)

摘　　要：艾丽斯·门罗的短篇小说创作多以平凡女性的日常生活为描写对象,强调对细节的刻画,平淡中见真齐。门罗在小说中对女性生活的关注与阐释,展现出后女性主义区别于激进女权主义的小人物式超越男权中心,以实际行动和担当代替消极反抗。通过塑造各种平凡女性的形象,实现了女性作为他者话语的无意识存在,以及社会独立个体的身份认同。后女性主义小说的无意识叙事,将历史文本化,以集体寓言的形式重新阐释了"女性主义"。Alice Munro mostly describes the daily lives of ordinary women in her short stories, emphasizing the depiction of details, genuineness in plainness. Munro focuses on ordinary women＇s life in the novel, showing post- feminist＇s character, different from the radical feminist, who goes beyond the patriarchy center, with practical actions instead of passive resistance. By shaping images of ordinary women, she realizes the unconscious being of female as the other discourse, as well as social and individual identity. The unconscious narrative of post feminism novels reinterprets, in the form of collective fable, the post feminism by textualizing history.

关 键 词：艾丽斯·门罗 叙事策略 后女性主义 政治无意识 

分 类 号：I0-03[文学—文学理论]