从主体性作者论、超主体性作者论到非主体性作者论——对西方作者论的一种批判性描述  

From Subjective Author,Trans-Subjective Author to Non-Subjective Author: A Critique Description of the Western Author Theory

作　　者：徐润拓[1] 

机构地区：[1]鲁东大学文学院,山东烟台264025

出　　处：《廊坊师范学院学报（社会科学版）》2014年第2期16-22,共7页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：教育部人文社会科学研究项目"解构批评研究"(11YJA751080)成果之一

摘　　要：西方文论中的作者论有主体性作者论、超主体性作者论和非主体性作者论几种主要形态。主体性作者论将作者本人的才能、情感、意志、生活经历和体验等看作其创作的支配性因素,典型代表有天才论、传记批评、情感论、直觉论以及体验论等;超主体性作者论则认为作者受到了外在于他或他无法控制的力量的支配,比如神、无意识或集体无意识、意识形态以及传统等;非主体性作者论主要认为主体是一种语言的建构,受语言的支配,文本书写是一种语言的编织。There are three main different modes of author theory in the history of the western literary theory： the subjective author, trans-subjective author and non-subjective author. Theory of subjective author takes the talent, emotion, volition and life experience of the author as the sources and dominance of their works, including genius theory, biography criticism, emotional theory, intuition theory and experience theory; theory of trans-subjective author argues that the author was dominated by a foreign force which is out of his own control, such as God, unconsciousness and collective unconsciousness, ideology and the tradition; theory of non-subjective author em- phasizes the subject is a linguistic construction; it is not man that uses language; but language manipulates man; writing is only the interweave of language.

关 键 词：作者论 主体性 超主体性 非主体性 

分 类 号：I0[文学—文学理论]