泛化:意境范畴现代审美重构的路向  

Generalization:an approach to modern aesthetic reconstruction of artistic conception

作　　者：李然[1,2] 

机构地区：[1]天津财经大学人文学院,天津300222 [2]南开大学哲学院,天津300192

出　　处：《云南师范大学学报（哲学社会科学版）》2014年第3期106-110,共5页Journal of Yunnan Normal University：Humanities and Social Sciences Edition

摘　　要：范畴的泛化是意境在当下审美活动中重新确立审美价值的重要路径。其实,意境范畴的发展史就是它的"泛化"史,这是一个将审美经验不断拓展到新的审美活动中的过程。古典语境下,意境范畴的发展是由古典诗学泛化至古典美学的过程。现代语境下,意境范畴则从民族美学泛化为美学原理的范畴。由此,意境范畴在现代审美活动的有效性才能够得以彰显。The generalization of category is an important approach to the reconstruction of the aes- thetic value of artistic conception. The historical development of ＂artistic conception＂ category is its history of ＂generalization＂, and it is a process that the aesthetic experience constantly expands into new aesthetic activities. In the classical context, the history of ＂artistic conception＂ is the process that classical poetics generalizes itself to classical aesthetics. In the modern context, ＂artistic conception＂ category is generalizing itself from a national aesthetic to the category of aesthetic principles. In this sense, ＂artistic conception＂ category can be integrated into modern aesthetic activities.

关 键 词：意境 泛化 现代阐释 

分 类 号：B83-0[哲学宗教—美学]