民间话语与五四白话新诗的理论建构  

On the Interaction between Folk Discourse and Theoretical Construction of Vernacular Chinese Poem Writing during the May Fourth Movement

作　　者：刘继林[1] 

机构地区：[1]湖北大学文学院,湖北武汉430062

出　　处：《湖北大学学报（哲学社会科学版）》2014年第3期107-112,149,共6页Journal of Hubei University(Philosophy and Social Science)

基　　金：教育部人文社会科学青年基金资助项目:12YJC751052

摘　　要：在五四激进的文学革命语境下,"白话"在否定"文言"的基础上获得了新诗的话语建构权。五四初期,白话新诗的理论建构除借镜西方话语之外,还从本土的民间话语传统中获取资源。在五四新诗的现代发生和范式建构中,传统的"自然"、"真实"、"创造"等民间理念,被赋予全新的现代性意涵,并成为早期新诗理论建构的核心语码。中国新诗正是在充分汲取民间话语资源的基础上,初步建构起以"白话——自由——现代"为中心的现代诗学体系,从而迈过艰难的草创期步入到更为坚实的发展进程中。In the context of the radical literary revolution during the May-Fourth Movement in the early 20th century, the Vernacular Chinese poetry prevailed over the classical poetry in the construction power of discourse. During the early May4th movement,the theoretical construction of the vernacular poetry derived academic nutrition from the traditions of folk discourse as well as western discourse. In modern occurrence and model construction of the new poetry, the folk ideas about nature, authenticity and creativity, were endowed with new implications of modernity, and constituted the core code of the new poetic theory. On the basis of fully absorbing folk discourse resources, the new poetry has shaped a preliminary modern poetic system centered upon the theme of vernacularism- freedom- modernity, and stepped with difficulty into the prosperous stage of development.

关 键 词：民间话语 白话新诗 自然 真实 创造 理论建构 

分 类 号：I0[文学—文学理论]