明代“情”范畴的本体转向与世俗审美表现  

The Steering of the Affection's Noumenon and the Worldly Aesthetic Performance in Ming Dynasty

作　　者：姜家君[1] 

机构地区：[1]厦门大学人文学院,福建厦门361005

出　　处：《福建江夏学院学报》2014年第2期74-80,共7页Journal of Fujian Jiangxia University

基　　金：教育部人文社会科学重点研究基地项目(11JJD720004)

摘　　要：明代心学兴起,"情"这一范畴在儒家思想中也开始从边缘位置向本体转向,在文学中一方面表现为以"至情"、"真情"为内容的主情派思潮;另一方面,在下层文人与新兴市民阶层的推动之下,"情"走向了以"情欲"为本的世俗化审美过程。After the rise of Ming philosophy, the category of ＂affection＂ become the core of it,it was expressed as ＂real affection＂,＂extreme affection＂ in the literature;another aspects,under the push of lower literati and emerging public sectors,＂affection＂ changed to ＂Lust＂ for the aesthetic process of secularization.

关 键 词：明代 情 本体 审美 

分 类 号：B248[哲学宗教—中国哲学]