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作 者:汤拥华[1]
机构地区:[1]浙江工商大学人文与传播学院,杭州310018
出 处:《浙江工商大学学报》2014年第3期30-38,共9页Journal of Zhejiang Gongshang University
基 金:教育部人文社会科学研究青年基金项目"当代美国实用主义文学观研究"(13YJC751019)
摘 要:本文以罗兰·巴特后期文本观以及乔纳森·卡勒对此文本观的批评为参照,就文本与审美以及文学性的关系展开考察。常见的误解是,随着文本概念的流行和"理论时代"的到来,文学性已成为本质主义的遗物;本文则力图展示,有关文本的深入探究必将回归文学性问题。这不是简单地回归审美,而是发掘文本自我反思的潜能并在新的意义上探求文学的具体性。Taking as a point of departure Roland Barthes later textual theory vis-a-vis Jonathan D Culler's response to it, this paper explores the interrelation of text and aesthetics with the notion of literariness. The growing popularity of the concept of text, coupled with the advent of the Age of Theory, is often erroneously perceived as rendering literariness an insignificant remnant of essentialism. The paper challenges this misconception and proposes that the notion of literariness is in fact the recurring epicenter of any serious undertaking of questions in textual theory. Rather than simply returning to the discourse on aesthetics, it aims to examine the potential of textual self-reflexivity as well as pursue the practice of literary concretization and its new significations.
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