广绣大披肩的艺术语言探究  

Study on Artistic Languages of Cantonese Embroidery Shawl

作　　者：林婷婷[1] 杨晓旗[1] 

机构地区：[1]广州大学,广州510006

出　　处：《设计艺术研究》2014年第3期39-42,47,共5页Design Research

基　　金：2013年广州大学立项资助项目研究生课题(2013YJS010);全国教育科学规划教育部重点课题项目(GLA102054);广东省"十二五"哲学社科规划课题(GD12XYS05)

摘　　要：广绣大披肩是与服饰紧密关联的实用性装饰艺术,其艺术魅力在于巧用最简约的刺绣语言以承载多元的文化内涵,并在艺术性、实用性和生产性诸多要素中把握着平衡点。将岭南传统工艺与西方审美心理有机结合,从而形成了"理性构图、感性用色、纹饰瑰丽、绣技高简"的艺术风格。研究广绣大披肩的艺术语言,可以领略其"艺"与"技"的交相辉映,能为今后广绣多元化的发展开拓思路。Cantonese Embroidery Shawl,as a practical and decorative art,is closely connected with the costumes.Its artistic charm lies in its connotation of diversifi ed language,as well as a proper balance among artistic,practical and productive factors.By perfectly connecting traditional craftsmanship in southern China and western aesthetics,an artist style featuring rational configuration,sentimental coloring,elegant decorating and redundancy-free embroidery is formed.By studying the artist language expressed in the Cantonese Embroidery shawl,a perfect blending of the ＂art＂ and ＂technology＂ could not be ignored,which benefi ts to the future development of Cantonese embroidery in various ways.

关 键 词：艺术语言 实用绣 广绣大披肩 工艺手法 

分 类 号：J06[艺术—艺术理论]