史诗的诱惑和“章回”形式的误读——也谈莫言的《生死疲劳》  

Temptation of Epic and Misreading of “Zhanghui” Style:A Study on Mo Yan's “Fatigue Life and Death”

作　　者：范家进[1] 

机构地区：[1]浙江工商大学人文与传播学院,浙江杭州310018

出　　处：《杭州电子科技大学学报（社会科学版）》2014年第2期60-64,共5页Journal of Hangzhou Dianzi University：Social Sciences

基　　金：国家社会科学基金项目(13BZW152)

摘　　要：文学创作需要经受不同视野的解读。莫言的长篇小说《生死疲劳》中写事盖过了写人,过多的事件堆积和太多的人物出场影响了对人物性格的深层挖掘和刻画,对于传统文化理念及传统章回小说也存在着误读,未能找到与所描写内容更为和谐一致的表达形式。中国当代作家对于中外小说传统需要更审慎的吸收与对待。Literary creation should undergo the interpretation from different perspectives.In his novel ＂Fatigue Life and Death＂,Mo Yan narrates events overshadowing the portraits of people,in which the excessively stacked characters and events affect the portraits of characters and their characteristics.And there also exist some problems of misreading traditional Chinese culture and traditional ＂zhanghui＂style in this novel; therefore it fails to use a more harmonious expressive form to match the contents described.Chinese Writers need to pay more piety and respect to the traditional Chinese and foreign novels.

关 键 词：莫言 《生死疲劳》 史诗 章回小说 

分 类 号：I207.42[文学—中国文学]