钢琴触键三阶段新论——触键的情感意义  

New Discussion on the Three-stage Piano Touching——Emotional Significance of Key Touching

作　　者：颜峻[1] 向阳[2] 周燚[3] 

机构地区：[1]云南艺术学院,云南昆明650033 [2]文山学院,云南文山壮族苗族自治州663000 [3]红河学院,云南红河哈尼族彝族自治州661400

出　　处：《内蒙古大学艺术学院学报》2014年第2期58-63,共6页Journal of Art College of Inner Mongolia University

摘　　要：钢琴触键是钢琴演奏技能技巧的重要组成部分,对触键的研究多集中于一种机械、单纯以及外显化的动作研究,而对于声音的制造者——人(演奏者),则关注不多。触键、声音、演奏者是钢琴演奏过程中不可或缺的重要环节,演奏者对音乐作品的情感体验是产生不同触键动作和声音的重要因素。触键动作前、中、后三个阶段承载了演奏者对于音乐的理解与诠释,把触键动作与个体心理相结合进行研究,使钢琴触键不仅只是具有动作制造的外显含义,还具备了深刻的思想与情感意义。Piano Touching is an important part of piano playing skins and techniques. The study of key touching almost focuses on a mechanical, simple and explicit action - oriented research, and lacks the attention to the sound maker - - person （player）. Key touching, sound and player are the indispensable part of piano playing. The player＇ s emotional experience of music is an important factor to produce different key - touching actions and sounds. The three stages of key - touching actions carries a player＇ s understanding and interpretation of the music. Based on the research of the combination of key - touching action and individual psychology, it makes piano touching not just have an explicit meaning of action, but also have a deep thought and emotional significance.

关 键 词：钢琴触键 动作 情感 意义 声音 

分 类 号：J624.1[艺术—音乐]