以喜剧方式处理悲剧题材之艺术辩证法分析  

Analysis of dialectic art of processing tragic theme in comic ways

作　　者：严天武[1] 

机构地区：[1]安徽大学文学院,合肥230039

出　　处：《安徽理工大学学报（社会科学版）》2014年第3期68-72,共5页Journal of Anhui University of Science and Technology:Social Science

摘　　要：古希腊悲剧题材大多一悲到底,悲的彻底,很少有喜剧因素植入其中;中国古典早期悲剧大多以大团圆方式结局,悲的不彻底,除结尾外故事中也鲜见喜剧因素。莎士比亚大胆将喜剧因素植入悲剧题材,创造出令人称快的悲剧艺术;中国从封建末期的讽刺小说开始,也随处可见悲中带喜、悲喜交融的悲剧作品。这些都说明了以喜剧方式处理悲剧题材是符合艺术辩证法的,这可以从作品本身、作家层面、读者角度和审美世界等四个方面来分析其合理性、必要性、科学性和时代性。Most ancient Greek tragic subjects are thoroughly tragic with few comic elements embedded. China＇ s early classic tragedies mostly ended happily with incomplete sadness and rare comic factors except in the end- ings. Shakespeare boldly embedded comic factors into tragic subjects and created marvelous tragic art. From the late feudal satire novel, there have been tragic works blended with joy. All these suggest that it is artistically dialectic to deal with the tragic theme, whose rationality, necessity, scientificness and modernity can be analyzed from the four aspects of work per se, the writer, the reader＇ s perspective and the aesthetic world.

关 键 词：坎卦 无蔽 “距离”说 艺术真实 主体间性 二律背反 审美境界 

分 类 号：I01[文学—文学理论]