浅论艺术史、技术与视觉审美转型的关系  

On the Relationship Between Art History,Technology and Visual Aesthetic Transformation

作　　者：宋芳斌[1,2] Song Fangbin

机构地区：[1]东南大学艺术学院 [2]美国北卡罗来纳大学教堂山分校

出　　处：《建筑与文化》2019年第1期66-67,共2页Architecture & Culture

基　　金：中国国家留学基金委资助(项目编号:201806090340)

摘　　要：每当社会出现重大变革,各个艺术门类、大众审美观与社会审美风尚也会随之变化。把握主流艺术的风格特点以及考察视觉技术的发展,是剖析视觉审美转型的有效方法,同时对于全面理解特定时期社会审美风尚的形成具有深刻意义。文章从文献研究法与调查分析法入手,通过探讨视觉审美转型研究理路、视觉技术和艺术史现象之间的内在逻辑,以期明晰三者之间的潜隐关系,为特定时代下视觉审美问题抛砖引玉。Every time there is a major change in society, the art categories, the public aesthetics and the social aesthetics will change. Grasping the style characteristics of mainstream art and examining the development of visual technology is an effective way to analyze the transformation of visual aesthetics. At the same time, it is of profound significance for comprehensive understanding of the formation of social aesthetics in a certain period. The article starts with the literature research method and the investigation analysis method, and explores the inherent logic between the path of visual aesthetic transformation, the visual technology and the art history phenomenon, in order to clarify the hidden relationship between the three, and to promote the visual aesthetic problems in specific eras.

关 键 词：艺术史 视觉审美 绘画 技术 

分 类 号：J201[艺术—美术]