朝鲜诗学上的“神韵”  

A Study on Shen-yun's Transformations during the Yi-Dynasty

作　　者：琴知雅[1] 

机构地区：[1]韩国延世大学

出　　处：《暨南学报（哲学社会科学版）》2002年第1期75-84,共10页Jinan Journal(Philosophy and Social Sciences)

摘　　要：本文论述了自诗坛先驱的北学派 (后四家 )始到十九世纪前半期 ,王士祯诗学的“神韵”诗在朝鲜和韩国的文论中是如何阐释的。首先探讨了“神韵”用语的渊源 ,以及王士祯神韵学说中“神韵”的基本含意 ;接着论述了王士祯神韵说在朝鲜诗坛的传播、受容与发展过程 ,并对在此过程中所表现出来的朝鲜诗学的“神韵”Shen yun has not merely stayed within the theoretical boundaries suggested by Wang Shi zhen, and the impression of misdistribution in its practice has been taken as a sign of invalidity. Thus, Shen yun has been the object of criticism from the tradition of Shijiao since Wang Shi zhen's death.

关 键 词：诗学 文论 朝鲜诗学 神韵 王士祯 

分 类 号：I0-03[文学—文学理论]