莱蒙托夫艺术世界里的律法与神恩范畴  

The Categories of Torah and Grace in Lermontov's World of Art

作　　者：伊·安·叶萨乌洛夫 高少萍[1] 

机构地区：[1]上海外国语大学

出　　处：《俄罗斯文艺》2014年第3期8-14,共7页Russian Literature & Arts

摘　　要：在过去的十年间,俄罗斯语文学研究中产生的范畴几乎全部都可追溯至俄罗斯文化的同一性概念,并在各个方面更新了俄罗斯文化。基于此,本文提出重新阐释莱蒙托夫作品的必要性。《别了,满目污垢的俄罗斯》一直被认为是莱蒙托夫的代表作,但新的研究表明,此诗是否为菜蒙托夫所写,存在诸多疑点。本文就律法与神恩的范畴,重新解读莱蒙托夫的代表作。Almost all the categories which have emerged in the philological studies in Russia during the past decade can date back to the concept of identity in the Russian culture, and have caused changes to the Russian culture in various aspects. Accordingly, the author of this paper considers it necessary to reinterpret the works by Lermontov. Farewell, Unwashed Russia has been considered as one of Lermontov＇ s masterpieces. But new studies show that there might be some doubt about whether the poem was authored by Lermontov. This paper is a reinterpretation of Lermontov＇ s masterpiece concerning the categories of Torah and Grace.

关 键 词：律法 神恩 基督中心论 莱蒙托夫 范式转换 

分 类 号：I512.072[文学—其他各国文学]