跨文化视野中的透视法起源问题  

The origin of the laws of perspective in a Cross-Cultural Perspective

作　　者：马佳伟[1] 

机构地区：[1]中央美术学院

出　　处：《艺术设计研究》2014年第2期94-106,共13页Art & Design Research

摘　　要：关于线性透视法的起源,主要有两种传统的叙述方式:一种是沿着自古希腊开始至文艺复兴成熟的线索书写,将其视为西方文明内部的线性发展过程;另一种是从14世纪开始,把透视法的发明归结于意大利文艺复兴时期的英雄人物,将其视为绘画技术自身的"进化"结果。本文从跨文化的角度重新研究了线性透视法的起源问题,认为这种在二维平面上构建三维空间幻象的方法是绘画技术史上一个涉及不同地域文化和学科知识的交汇点。There are two traditional narrative ways about the origin of linear perspective. The first narration follows the cue starting from old Greek to the maturity of renaissance, and considers it as the internal linear development of western culture. Beginning in the 14th century, the second narra- tion attributes the linear perspective to the heroic figures during the Italian Renaissance, and considers it as the result of automatic evolution of painting techniques. This article studies the origin of linear perspective from the cross-cultural perspective, and regards the three-dimensional space illusion constructed on the two-dimensional plane as the joint between different regional cultures and disciplinary knowledge in the history of painting techniques.

关 键 词：线性透视法 阿拉伯视觉理论 数学空间 文艺复兴 

分 类 号：J045[艺术—艺术理论]