开放建筑教育课题四:动态艺术和动态建筑  

KINETIC POTENTIAL

作　　者：贾倍思[1] 

机构地区：[1]香港大学建筑系

出　　处：《世界建筑导报》2014年第4期28-33,共6页World Architecture Review

摘　　要：无论东方或西方,建筑和艺术本为一体。早期现代主义建筑思想和现代艺术流派,如立体主义和荷兰风格派,关系密切。然而以功能主义为基础的现代主义,特别是"二次大战"后的现代建筑,逐渐远离和落后于艺术的发展。其表现为将建筑视为静态的材料和空间的构成。本文通过分析和介绍现代艺术重要流派之一,"动态艺术"(Kinetic Art),说明与建筑最接近的抽象雕塑,因为引入了"时间"和"观众"两个元素而发生革命性的变化。"开放建筑"的研究和当代艺术的发展是并驾齐驱的,因为"开放建筑"否定功能决定论,指出材料和空间构成的局限,主张"时间"和"使用者"在建筑过程中的主要性。Whether in Asia or the West, architecture and the arts are mutually implicated. The relationship between architectural theory and modern art was particularly intimate between Cubism and the Dutch Style School, for example. Subsequently, functionalist modernism, especially in postwar architecture, gradually separated itself from art, falling behind aesthetic exploration in the arts. In this formulation, architecture was viewed as structure comprised of static materials and space. In this essay, Jia Beisi introduces and analyzes kinetic art with an eye to reconnecting architecture to the ideas of abstract sculpture. In particular, he aims to activate the elements of ＂time＂ and ＂audience＂ in order to rethink architectural possibility. Jia concludes that ＂open architecture＂ research and the development of contemporary art are mutually constitutive because open architecture rejects functional determinism. Instead, open architecture takes materials and space as enabling constraints, that unfold through time and usage.

关 键 词：城市设计 教学 课程设计 开放建筑 动态艺术 动态建筑 建筑教育 

分 类 号：TU984.18[建筑科学—城市规划与设计]