魏晋女性意识的迁变:论《子夜歌》  

Changes in Feminist Consciousness in Wei and Jing Dynasties:On Songs of Ziye

作　　者：刘运好[1] 段梦云[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《池州学院学报》2014年第4期1-6,共6页Journal of Chizhou University

摘　　要：《子夜歌》是吴歌中非常著名的一首组诗。全诗以女性为抒情主体,以"内心独白"的体式,将相爱—情变—离弃的爱情悲剧过程隐蔽交织其中,完整而婉曲地展示了女主人公爱情的心路历程,把女性的精神世界和内心情怀,拓展到了前所未有的深度;所展现出的主宰自我命运的女性主体意识,虽原生于魏晋文人的女性意识,又超越了魏晋文人的女性意识,而带有女性思想解放的思想特质;其质实与空灵相生的抒情,质直与婉约并存的语言,质朴与婉曲交织的风格,成为南朝民歌的艺术典范,从而对此后的南朝民歌以及宫体诗的形成都产生了深刻影响。The is the most famous suite poem of Wu ballads, Songs of Zi Ye displays the whole process of the heroine’s love story, by the pattern of monologues integrating the tragic process of falling-in-love, love betrayal and abandonment.Each poem expresses the woman’s inner world genuinely,Wits strong individual consciousness about mastering her own destiny, Plain but dynamic expression, straightforward but euphemistic description, simple but skillful style of writing, make the suite poem an artistic model of the ballads in the Southern Dynasty, which exerts an great influence on the palace-style poetry and ballads of the Southern Dynasties afterwards.

关 键 词：《子夜歌》 “心灵独白”体式 女性主体意识 艺术表达方式 

分 类 号：I206[文学—中国文学]