黄宗羲“求真至性”说及其险俗诗歌创作  

Huang Zongxi's Theory of Temperament and His Bizarre and Vulgar Poetry

作　　者：敖运梅[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《辽宁大学学报（哲学社会科学版）》2014年第5期153-158,共6页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：中国博士后科学基金资助项目(2014M551307)

摘　　要：黄宗羲的"至情产生至文"文论观与其"视道合离"原则是相契合的,他主张"无情何以见性"的性情合一论,主理重情,以情佐理,以此提升文章的审美价值与艺术感染力,黄宗羲强调修史、治心、学养的目的都是为了创作出自然流畅的诗文,表露真情而达到至高境界。基于此,其行文风格奇谲怪异,却与"文以载道"的理念并不矛盾。Huang Zongxi opines that ＂great passions begets great poetry,＂ which agrees well with his stand of sticking to the Tao principle. He avers that temperament and passion should live in harmony, and passion should not go alone without solid contents, thereby to improve the aesthetic value and the appealing power of art. Besides, to write good and natural poetry, he insists upon studying history, enlarging one＇s knowledge scope, and purifying one＇s heart. Thus, he forms a bizarre and vulgar style of his own in writing. This style, however, is not in conflict with the theory of writing for conveying truth at all.

关 键 词：黄宗羲 诗史 至情 诗歌 险俗 

分 类 号：I206.2[文学—中国文学]