从苏珊·朗格“生命形式说”论音乐表演的生命性  

The Life Forms of Music Performance from Susan Langer's Theory of “Manifestation of Felt Life”

作　　者：黄若然[1] 

机构地区：[1]安徽师范大学文学院,安徽芜湖241003

出　　处：《佳木斯大学社会科学学报》2014年第5期187-189,共3页Journal of Social Science of Jiamusi University

摘　　要：在苏珊·朗格的美学理论中,"生命形式说"是一项重要的概念,而音乐表演作为艺术形式,就具有该论述里的一系列特点。本文将从"生命形式说"中的节奏性、运动性、生长性和有机统一性,来探讨音乐表演的生命性,以期从音乐表演的角度对"生命形式说"进行合理的分析。In the aesthetic theory of Susan l.zmger, the life forms is an important concept, and there are a series of characteristics of the argument in music performance. This article will discuss the music performance by the organic unity, rhythmic, motility and growing in the life fomas, and try to analys the life forms of music performance for reasonably in this light.

关 键 词：音乐 苏珊·朗格 生命形式 节奏 统一 

分 类 号：J601[艺术—音乐]