用解构视角重读《笑傲江湖》  

Rereading the Swordsman from the Perspective of Deconstruction

作　　者：张立杰[1] 郑言[1] 

机构地区：[1]河北科技师范学院文法学院,河北秦皇岛066004

出　　处：《河北科技师范学院学报（社会科学版）》2014年第3期86-89,共4页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：借鉴解构主义研究方法,通过对新武侠宗师金庸小说《笑傲江湖》的解构分析,颠覆了以往金庸小说研究中对其小说结构和主题的理解,认为:从结构上而言,以往批评所认为的小说中"江湖"和"庙堂"的二元对立结构并不成立;从主旨上而言,作者自己所阐释的小说主旨和批评界对这部小说主旨的传统认识也未处在小说意义的中心地位;而散布在小说意义边缘的细节,则颠覆了传统观点中几组重要的二元对立概念。Through deconstructing the Swordsman written by Jing Yong, the greatest writer of new knight-errant fiction, the previous understanding of the theme and structure of his works was subverted. As for the structure, the previous critics thought that the opposition of non-official position and royal court was not right. As for the theme, the one demonstrated by the author and that by critics were not united, while the details of the works converted previous dualistic concepts.

关 键 词：解构 《笑傲江湖》 结构 主旨 

分 类 号：I206.7[文学—中国文学]