音乐美的理念特征——论黑格尔“绝对理念”的音乐美  

On Hegel's ‘Absolute Idea’ in Music Aesthetic

作　　者：刘智强[1] 

机构地区：[1]四川文理学院音乐与演艺学院,四川达州635000

出　　处：《安康学院学报》2014年第5期27-29,共3页Journal of Ankang University

摘　　要：黑格尔比起康德,他不仅仅是关注艺术的形式,而是从他的"理念"出发,辩证地阐述艺术形式与内容的统一。用客观唯心主义的"倒置辩证法"论述了艺术规律,用"否定之否定"拓展了艺术思路。由"无限"的"绝对理念"到有限世界的"自我异化",再回到"无限"的"绝对精神"的自我表现中去,深刻揭示了像音乐这样的表现性艺术的本质特征。正如黑格尔所说:"概念与个别现象的统一才是美的本质和通过艺术所进行的美的创造的本质"。Compared with Kant,Hegel concerned not only about the artistic form,but also the unification of the artistic form and content with his＂philosophy＂. By using objective idealism,＂inverted dialectics＂,he discussed the artistic rule,and expands the art ideas with the＂negation of negation＂. To the limited world of＂self-alienation＂by the＂unlimited＂and＂absolute idea＂,and then return to the＂un-limited＂and＂absolute spirit＂of self-expression,deeply reveals the substantive characteristics of expressive arts,such as music. Just like Hegel said：＂the unity of the concept of individual phenomena is the essence of beauty and art created by nature＂.

关 键 词：黑格尔 理念 绝对精神 自我异化 否定之否定 辩证逻辑 

分 类 号：B516.35[哲学宗教—外国哲学] J601[艺术—音乐]