“葬送”的究竟是什么?——话剧《茶馆》主题新探  

A Talk on New Themes in Teahouse

作　　者：丛坤赤[1] 张炜炜[1] 

机构地区：[1]齐鲁师范学院文学院,山东济南250013

出　　处：《海南师范大学学报（社会科学版）》2014年第8期33-36,共4页Journal of Hainan Normal University(Social Sciences)

基　　金：山东省教育科学"十二五"规划2013年度课题"多元文化语境中的五;六十年代文学教学"(项目编号:2013GG069)

摘　　要：长期以来学界多从政治角度解读老舍提出的"葬送"说,并由此形成了"反描法"、"侧面透露法"等重要观点。其实对于"葬送"说,不仅可以从社会意识形态角度强调新旧社会的对比,或者生活对革命历史的折射,也可以从人性、文化角度进行探究和审视。在《茶馆》中,老舍通过三个时代被逐步"葬送"的过程,展示了人性的善与恶,追悼了日渐逝去的文化风习。For a long time scholars and experts have interpreted the concept of ＂ruin＂ proposed by Lao She from the perspective of politics, thus having formed such views as the ＂anti-depiction approach＂ and ＂the lateral revelation method＂, etc. As regards the concept of ＂ruin＂, not only a contrast can be made of old and new society in terms of social ideology or a reflection of life on revolutionary history analyzed but also an exploration and a survey can be made from the perspective of humanity and culture. In Teahouse, Lao She has demonstrated the good and evil of humanity and paid the last tribute to the passing cultural customs via the process of gradual ＂ruin＂ of three eras.

关 键 词：《茶馆》 人性 传统文化 

分 类 号：I207.3[文学—中国文学]