“文革”时期美术批评的热点及其特征  

THE HOT SPOTS OF ART CRITICISM AND ITS FEATURES DURING CULTURAL REVOLUTION

作　　者：李有梁[1] 

机构地区：[1]湖南理工学院公共社科教学部,湖南岳阳414006

出　　处：《云梦学刊》2014年第6期91-96,共6页Journal of Yunmeng

基　　金：2012年度国家社会科学基金艺术学重点项目"中国当代艺术批评史研究"(批准号:12AA001)

摘　　要：受政治势力强力介入文艺创作与批评的影响,"文革"时期的美术批评带有鲜明的政治色彩,出现了评论"户县农民画展"、"上海、阳泉、旅大工人画展览"和批判"黑画坏画"等三大热点。一部分工农兵加入了美术批评队伍,集体创作的评论文章也大量涌现,而这些对新时期的美术批评产生了较为深远的影响。Influenced by the strong involvem ent of the politic power in art creations and criticism s, the art com m ents during the tum ultuous C ultural R evolution had som e distinct features and three hot spots such as criticism upon those exhibitions of the peasant paintings of H u C ounty, the worker paintings of Shanghai, Y angquan and Lv-D a, and denouncem ent on those B lack-Paintings. A part of workers and peasants joined in creating groups, and m any com m ent articles by collective effort appeared during that tim e which brought a great influence on the art criticism s at the beginning of R eform and O pen-up time.

关 键 词：美术批评 农民画 工人画 “黑画” 文革 

分 类 号：J05[艺术—艺术理论]