文学“性审美”的理论研究  

Study on Literature Sex Aesthetics

作　　者：黎风[1] 

机构地区：[1]四川大学文学与新闻学院

出　　处：《中华文化论坛》2014年第12期15-21,191,共7页Journal of Chinese Culture

摘　　要：从理论上讲,文学艺术应该向所有的人生领域敞开,人的日常生活、思想情感、生产实践、政治斗争等都是文学艺术表现的对象,但正统的文学艺术史则制造了一种根深蒂固的假象:文艺创作只专注于人的纯净、道德的精神情感领域,它们与性没有必然的联系,性是邪恶、原始和非理性的破坏力量,是没有建设性的负面因素。但是,性作为人最基本的一种本能力量,它不可能不反映在人们的文化与文艺观念中,也不可能禁绝在文艺创作的复杂表现,其实在本质上它体现了人的生理、心理倾向和审美指向。On the theory, literary art should open to all the field of life, daily life, emotion, practice, political battle, are subjects of literary art performance. But or t hodox litera r y a r t h istor y has created a n ingrained false: focus on people's pure and artistic creation, the spirit of moral emotion, they are not necessarily associated with sex, sex is evil, primitive and irrational destr uction, there is no constr uctive negative factors. Sex, however, as one of the most basic instinct strength, it could not ref lect in the people's cultural and artistic conception, it is impossible to banning in the complex expression of literar y and artistic creation. In fact, it embodies people's in essence physiological, psychological tendency and aesthetic orientation.

关 键 词：文学 性观念 压抑 审美冲动 

分 类 号：I06[文学—文学理论]