创伤的摹仿与识解——从认知叙事学角度看《宠儿》中的幽灵形象  

Mimesis and Construe of Trauma:Narrative and Cognitive Analysis of Ghost Image in Beloved

作　　者：曾利红[1] 江智利[1] 

机构地区：[1]重庆文理学院外国语学院,重庆永川402160

出　　处：《外国语文》2014年第5期45-50,共6页Foreign Languages and Literature

基　　金：2011年度重庆市教委人文社会科学研究项目"忧郁而悲情的叙述--认知诗学视野下的莫里森小说研究"(2011YBWX085)的阶段性研究成果

摘　　要：分析《宠儿》中的幽灵角色如何在文本、认知和情绪感应各层面中生成了创伤的类似概念。一方面,幽灵在压抑中跨越时空,倔强地想要揭示传统蓄奴制历史叙事中的未被提及的创伤经历;另一方面,幽灵使用模糊而破碎的语言,以暗中迂回的隐蔽方式建构了关于创伤的回忆和感知。在将幽灵构筑为历史创伤的镜像的同时,《宠儿》的文本也将自身建构成为对于蓄奴制的揭露和隐瞒双重写作链互相交织的文本与对于蓄奴制创伤的摹仿。幽灵是偏离常规的角色,被置放于不可辨认的模糊空间中,迫使读者对作者的编码程式与作品的价值取向做出更为积极的反应,使读者卷入到蓄奴制创伤的情感机制和伦理论争中。The present study analyses the ghost image in Beloved produces mimesis of trauma textually,cognitively and emotionally. Ghost rises from the repression,stubbornly desirous for revealing the unspeakable trauma of Slavery; Ghost’s words are incomplete and ambiguous,indirectly constructing the memory and recognition of trauma. While the text of Beloved builds ghost as the image of trauma,it constructs itself as the text imitating Slavery trauma and interweaving with chains of revealing and concealing. Ghost is irregular image staying in unrecognizable time and space. It forces readers to use more attention resources to decode the meaning and value of the text,and involves them into the emotional mechanism and ethical debate of trauma of Slavery.

关 键 词：幽灵 创伤 摹仿 识解 

分 类 号：I712.074[文学—其他各国文学]