从《邯郸记》改编论冯梦龙崇北尊古的曲律观  

To Discuss Feng Menglong's Views on the Rules of Worshiping Ancient and the Northern Drama in the Creation of Qu from the Perspective of the Adaptation of Handan Dream

作　　者：涂育珍[1] 施琴[1] 

机构地区：[1]东华理工大学江西戏剧资源研究中心,江西抚州344000

出　　处：《东华理工大学学报（社会科学版）》2014年第4期301-305,共5页Journal of East China University of Technology(Social Science)

基　　金：教育部人文社会科学研究青年基金项目:明清传奇改编研究(11YJC751070);江西省高校人文社会科学重点研究基地招标项目:冯梦龙对汤显祖剧作的改编研究(赣教社政字51号)

摘　　要：冯梦龙改编汤显祖的名剧《邯郸记》为《邯郸梦》,收入《墨憨斋定本传奇》。冯梦龙通过改编文本,表达了崇北尊古的曲律观,并以此来规范传奇创作,《邯郸梦》改订的曲牌范式虽没有被曲家编订曲谱时采纳,但也不可完全否认其定曲体的文体意义。Handan Dream, a famous drama written by Tang Xianzu and adapted by Feng Menglong, was renamed and included in Legend of Mohanzhai Definitive Edition. Through the adaptation of the text, Feng Menglong ex- pressed his views of creating Qu according to the rules of worshiping the classic works of the ancient and the Northern drama, and he made it a benchmark for the creation of legends. Despite the fact that the model of the names of the tunes was not approved by Qu composers, the significance of its style is undeniable.

关 键 词：《邯郸梦》 崇北尊古 曲律观 曲体 

分 类 号：I207.3[文学—中国文学]