诗情书趣 不亦说乎——石斋人叙事  

Poetry and Calligraphy aren't a Great Pleasure——Shizhairen's Narration

作　　者：田有成[1] 

机构地区：[1]榆林学院文学院,陕西榆林719000

出　　处：《榆林学院学报》2015年第1期123-125,共3页Journal of Yulin University

基　　金：2014年度陕西省高校省级"专业综合改革试点"项目-榆林学院文学院"汉语言文学"(陕教高办(2014)16号)

摘　　要：诗书合璧是艺术的较高境界,而完全是出自创作者内心感受与情感体验则是艺术的更高境界。诗文是自己的,书法也是自己的;诗文是为了自己,书法也是为了自己,如"人情一日不再食则饥,终岁不制衣则寒"(西汉晁错《论贵粟疏》),是一种需要。唯此,诗书才有真情雅趣,亦唯此才见"从心而觅,感无不通"。"通会之际,人书俱老",自觉觉人,自愉娱人。The mixture of poetry and calligraphy is relatively high level of art, while those completely out of writers＇ own feeling are a far higher level of art. Poetry and calligraphy are from writers themselves and also for their own sake. It＇ s like that ＇ One would be hungry if he did not eat twice and would feel cold if he did not make a dress one year, which is human nature. ＇ It is a need. In this way, there is a real interest in poetry and calligra phy. And only in this way can writers feel their heart and even everything. One would spare no effort to understand the essence of calligraphy. In poetry and calligraphy, one would make himself and others conscious and happy.

关 键 词：石斋人 诗情书趣 自觉觉人 自愉娱人 

分 类 号：J121[艺术—艺术理论]