中国古典美学研究中的浪漫主义  

On the Romanticism in the Study of Classical Chinese Aesthetics

作　　者：邓军海[1] 

机构地区：[1]天津师范大学文学院,天津300387

出　　处：《美育学刊》2015年第1期42-49,共8页Journal of Aesthetic Education

基　　金：天津市艺术科学研究规划项目<走出民族政治:中国古典美学研究思路之反思>(52WN1210)的阶段性成果

摘　　要：反观百年以来的中国古典美学研究,浪漫哲学话语已经成为阐述中国古典的理论元话语,成为无意识的理论预设。学者习惯于以浪漫哲学的审美人生论、审美文化论及审美自由论来阐扬中国古人。此等阐扬,并非褒赞古人,而是贬低古人。如其本然地研究中国古典美学,亟需审理或检省浪漫主义运动所带来的美学遗产。否则,中国古典美学不但会失其"古典",甚至会失其"美学"。The discourse of romanticist philosophy has been the meta-discourse and the unconscious theoretical proposition of the study of classical Chinese aesthetics for nearly one century.Most scholars are used to promoting the ancients by the aes-thetic or ethical spirit and aesthetic liberty which are the legacy of the Romantic Movement.Instead of extolling the ancients, such promotion belittles them.In order to study classical Chinese aesthetics as it was, we must reflect on the Romanticist legacy.Or else, classical Chinese aesthetics would be neither classical nor aesthetics.

关 键 词：中国古典美学 浪漫主义 审美人生 审美自由 天下视野 国族视野 

分 类 号：B83[哲学宗教—美学]