论沈从文20世纪40年代诗学建构  

A Study on SHEN Cong- wen's Poetics Construction in 1940s

作　　者：袁欢[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《枣庄学院学报》2015年第1期20-23,共4页Journal of Zaozhuang University

摘　　要：20世纪40年代，沈从文的美学思想丰富复杂，可大致划分为前后两个时期，并呈现出一个明显的转型过程。前期（1938～1946），他以小说、散文等哲理意味和象征色彩浓厚的文本进行“抽象的抒情”，致力于生命形而上、非功利性的思考，表达对“生命”、“美”、“爱”的独特理解与终极追问；后期（1946～1949），他则依凭杂论、政论等形式展现积极介入社会的姿态，倡导民族国家、文学运动与社会政治的重造，传达出功利性的现实诉求。这种转型折射出特定历史阶段作家复杂矛盾的文化心理。In the 1940s, SHEN Cong- wen＇s aesthetic thought is rich and complicated. It can be roughly divided into two peri- ods and shows an obvious process of transformation. In the early period （ 1938 ～ 1946 ） , he utilized novels, prose with dense philosophical meaning and symbolic color to express his emotion in an abstract way, dedicating himself to reflecting “life” in metaphysical and non- utilitarian way,and expressed his unique insight and ultimate questioning about “ life” ,“ beauty”, “ love” ; in the later period（ 1946 ～ 1949）, he showed an actively attitude to involves in society by means of essays and political commentary, advocating the reconstruction of nation, literature, politics and conveying the utilitarian demand. This transforma- tion reflects the writer＇s complex and contradictory mentality in specific historical stage.

关 键 词：沈从文 美学思想 非功利性 功利性 

分 类 号：I206.6[文学—中国文学]