论黑田鹏信艺术学思想对宗白华的影响  

On the Influence of Kuroda Nobu's Art thought on Zong Baihua

作　　者：王永东[1] 

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《学术界》2015年第1期183-189,326,共7页Academics

基　　金：“安徽大学徽文化传承与创新中心”课题资助

摘　　要：黑田鹏信的艺术学思想对宗白华产生了重要影响。黑田鹏信作为20世纪初日本一般艺术学独立运动的重要奠基人,他的艺术学思想传入中国,在一定程度上对于中国现代艺术学的发展起到了启蒙和桥梁作用,促进了中国早期艺术学研究和文艺理论的发展。宗白华作为中国现代艺术学的奠基人,其艺术学思想的形成,除了与玛克斯·徳索有着非常明显的关联外,与黑田鹏信的艺术学理论也有着渊源关系。黑田鹏信主要在艺术创作论、艺术鉴赏论、艺术功能论等方面影响了宗白华艺术学思想的形成。因而,从一定意义上来说,探究宗白华艺术学思想的渊源,不能忽视黑田鹏信的影响因素。The artistic thought of Kuroda Hoshin had a significant influence on Zong Baihua's.The most important founder of independent movement of Japanese general science of art in the beginning of the twentieth century,Kuroda Hoshin's artistic thought to a certain extent enlightened and bridged Chinese modern art,promote the development of Chinese early study of art and literary theory. Zong Baihua as the founder of Chinese modern art,his art thought forming is connected with Max Desseoir's and Kuroda Hoshin's theory of art. The formation of Zong Baihua's art thoughts was affected by Kuroda Hoshin mainly in art creation,art appreciation and art function and other aspects. And thus,explore origin of Zong Baihua's artistic thought;factors of Kuroda Hoshin's cannot be neglected.

关 键 词：一般艺术学 思想渊源 黑田鹏信 宗白华 

分 类 号：J0[艺术—艺术理论]