刘宋“诗运转关”考论  

On the Meanings of“Turning Point of Poetry”in the Liu-Song Period

作　　者：白崇[1] 

机构地区：[1]广东技术师范学院中文系,广东广州510665

出　　处：《中国文学研究》2015年第1期65-68,共4页Research of Chinese Literature

基　　金：广东省哲学社会科学规划项目"六朝文学演进中的正变问题研究"(GD12XZW02)的阶段性成果

摘　　要：刘宋时期中古诗歌发生转型,因而被人称为"诗运转关"。"诗运转关"有三层含义:一是刘宋诗歌从玄言诗的阴影中走出,回归到魏晋诗歌传统上,得以健康发展;二是刘宋诗歌在声律、对仗等艺术上取得了巨大的成就,启迪了后来的"永明体",在中国古典诗歌发展的历程中具有转折意义;三是以谢灵运为代表的清丽诗风和以鲍照、汤惠休为代表的俗艳诗风改变了魏晋以来以渊奥、典雅为主导的诗歌格局,促进了诗风的多样化发展。In the period Liu-Song, the mid-ancient poetry began to transform and this was regarded as ＂the turning point of poet-ry＂. Its meanings included three aspects as following： firstly, due to getting rid of the influence of metaphysics poetry, the poetry in the Liu-Song Period returned to the poetic traditions of the Wei-Jin period and developed soundly; secondly, the poetry in the Liu- Song period made great achievements in the rhythm and antithesis that enlightened the ＂Yong-ming poetic style＂, so it was an impor- tant turning-point in the development of the ancient Chinese poetry; thirdly, the poetic style of brightness, represented by Xie Ling- yun and the poetic style of gaudiness, represented by Bao Zhao and Tai Hui-xiu had changed the poetic style that was conducted by profundity and elegance of the Wei-Jin Period, and stimulated the diversification in the development of the poetic style.

关 键 词：刘宋诗歌 诗运转关 元嘉体 休鲍之风 

分 类 号：I207.2[文学—中国文学]