环境美学的理论创新与美学的三重转向  

The Theoretical Innovation of Environmental Aesthetics and the Three Turns of Aesthetics

作　　者：程相占[1] 

机构地区：[1]山东大学文艺美学研究中心,济南250100

出　　处：《复旦学报（社会科学版）》2015年第1期36-43,共8页Fudan Journal（Social Sciences）

基　　金：国家社科基金重点项目"生态审美的基本要点与生态审美教育研究"(项目批准号:13AZW004);教育部人文社会科学重点研究基地重大项目"环境美学与美学的改造"(项目批准号:11JJD750014)的阶段性成果

摘　　要：环境美学将美学研究的对象和范围从艺术转向艺术以外的环境以及环境之中的各种事物,提出并论证了新型的环境观、美学观及各种环境审美欣赏与审美体验模式。环境不仅是常识意义上的物理环境,而且也是被人知觉到的环境格式塔;美学不仅是美的哲学,而且也是审美欣赏理论与审美体验理论;恰当而审美地欣赏环境,需要恰当的欣赏模式。美学与环境之间的关系比以往任何时候都更加密切:环境扩大了美学的研究领域,美学则促成了一种新型的环境观。这种环境观的主旨在于克服人与环境的二元对立,倡导人与环境之间的和谐共存。环境美学隐含着三重富有美学史意义的重要转向:美学的生态转向、身体转向和空间转向。By the enlargement of subject matter and scope of aesthetics from art to environment and object in environment beyond art,environmental aesthetics proposes and justifies a new conception of environment,a new conception of aesthetics and various kinds of models of environmental appreciation and environmental aesthetic experience. Environment is not only physical surroundings or setting in its common sense,but also environmental Gestalt perceived by human agent; Aesthetics is not only the philosophy of beauty,but also the theories of aesthetic appreciation and experience. To appreciate environments appropriately and aesthetically needs proper models of aesthetic appreciation. The relationship between aesthetics and environment becomes closer today because environment enlarges the research field of aesthetics and aesthetics in turn promotes a new type of conception of environment,which show an effort to overcome the dualism of man-environment and advocates the harmonious co-existence of man and environment. There are three turns implied in environmental aesthetics： ecological turn,soma turn and spatial turn.

关 键 词：环境美学 生态转向 身体转向 空间转向 

分 类 号：B824[哲学宗教—伦理学]