新发现疑是元高明《琵琶记》本事之“词话体南戏”《戏孝琵琶》  

Research on the New Source Material of The Story of Pipa by Gao Ming in the Yuan Dynasty

作　　者：李豫[1] 于红[1] 李雪梅[1] 

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《晋中学院学报》2015年第1期100-107,124,共9页Journal of Jinzhong University

基　　金：国家哲学社会科学基金项目(14BZW100)--<宋元明清说唱词话研究>阶段性成果之一

摘　　要：元高明《琵琶记》的本事来源,以往均以南戏戏文《赵贞女蔡二郎》为是。新近发现与元明"叙述体"说唱词话相同的清写刻本《戏孝琵琶》曲本,笔者通过其所含有的《赵贞女蔡二郎》"雷诛"语言因素、赵五娘"孝"思想等因素,发现《琵琶记》较其增加了大量的故事情节因素,既包含南戏"代言体",也包含说唱词话"叙述体",其写刻所依之原始唱本当属于早期元代说唱词话与南戏相衔接范畴,这对于《琵琶记》本事的来源研究,以及元代说唱词话向南戏、元杂剧的过渡具有重要的学术价值和借鉴意义。The Southern Opera ＂ Zhao zhennv and Cai Erlang＂ was considered as the source of the Story of Pipa by Gao Ming in the past. The narrative style of newly found block-printed edition ＂Xi Xiao Pipa＂of the Qing dynasty is the same as Cihua structure of the Yuan and Ming dynasty. Through the analysis of the language feature such as ＂leizhu＂and the Ideological characteristics such as＂xiao＂,we found that the Story of Pipa has developed a lot of storyline, which includes the different narrative structures of the Southern Opera and the Cihua.We therefore conclude that the original libretto of ＂Xi Xiao Pipa＂shows the characteristics of the early Cihua and the Southern Opera in the Yuan Dynasty. This judgment will play an important academic role in the study of the Story of Pipa Original Story and the study on transition from Cihua in the Yuan Dynasty to the Yuan-Dynasty zaju plays.

关 键 词：《戏孝琵琶》 南戏 词话 《琵琶记》 戏曲 

分 类 号：I206.2[文学—中国文学]