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机构地区:[1]云南民族大学,昆明650500
出 处:《北京舞蹈学院学报》2015年第1期79-82,共4页Journal of Beijing Dance Academy
摘 要:南方边疆少数民族地区出土和传世的古代铜鼓面上镌刻着许多反映远古部族舞蹈场景的写实性纹饰,这些铜鼓面上的舞蹈纹饰及造型,与南方边疆部族农耕祭祀文化密切相关。在没有文字的情况下,铜鼓面上的铜鼓舞蹈纹饰就是南方边疆少数民族的宗教文化和交流语言,是我国南方边疆铜鼓民族文化的象征。铜鼓舞及其蕴含的宗教文化在南方边疆部族融合及边疆社会治理中发挥着积极作用。The ancient bronze drums unearthed and handed down in the frontier ethnic regions of South China were engraved many decorations of tribal dancing scenes in ancient times. These decorations and figures were closely related to the farming and sacrificing cultures of southern frontier tribes. Before the appearance of writing characters,these decorations on the drums were exactly the religious cultures and communicating language of southern frontier ethnic groups,symbolizing the ethnic culture of bronze drums. The bronze drum dancing reflected the religious culture and played positive roles in the ethnic fusion and society governing of southern frontier tribes.
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